30 for 30: Soccer Stories - Netflix

In the buildup to, and presentation of, the 2014 FIFA World Cup in Brazil, ESPN will employ not only legendary players as analysts, but world-renowned filmmakers, too. 30 for 30: Soccer Stories comes from across the international soccer landscape as seen through the eyes of celebrated directors.

30 for 30: Soccer Stories - Netflix

Type: Sports

Languages: English

Status: Ended

Runtime: 30 minutes

Premier: 2014-04-15

30 for 30: Soccer Stories - Alex Gibney - Netflix

Philip Alexander “Alex” Gibney (born October 23, 1953) is an American documentary film director and producer. In 2010, Esquire magazine said Gibney “is becoming the most important documentarian of our time”. His works as director include Going Clear: Scientology and the Prison of Belief (winner of three Emmys in 2015), We Steal Secrets: The Story of Wikileaks, Mea Maxima Culpa: Silence in the House of God (the winner of three primetime Emmy awards), Enron: The Smartest Guys in the Room (nominated in 2005 for Academy Award for Best Documentary Feature); Client 9: The Rise and Fall of Eliot Spitzer (short-listed in 2011 for the Academy Award for Best Documentary Feature); Casino Jack and the United States of Money; and Taxi to the Dark Side (winner of the 2007 Academy Award for Best Documentary Feature), focusing on a taxi driver in Afghanistan who was tortured and killed at Bagram Air Force Base in 2002.

30 for 30: Soccer Stories - Life and career - Netflix

Gibney was born in New York City, the son of Harriet (Harvey) and journalist Frank Gibney. His stepfather was the Rev. William Sloane Coffin. After attending Pomfret School, Gibney earned his bachelor's degree from Yale University and later attended the UCLA Film School. Gibney developed an anti-authoritarian view from the journalism career of his father: “They say to succeed you're supposed to suck up and kick down. Well, he was the classic guy who sucked down and kicked up, which is never a good career path! He was at Time, then fired. At Newsweek, fired. At Life, fired.” His stepfather was equally an influence on him. “There was something about my father, my mother, and then my stepfather, I think they all ruddered against authority in their own peculiar ways. And that probably rubbed off on me, too.” He served as executive producer of the documentary No End in Sight (2007). His film Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) is a documentary based on Hunter Thompson's life and his “Gonzo” style of journalism. Under executive producer Martin Scorsese, Gibney was series producer for the PBS television series The Blues (2003) (producing individual episodes directed by Wim Wenders and Charles Burnett) and writer-producer of The Pacific Century (1992) (which won the News & Documentary Emmy for Outstanding Historical Program). Several films he directed and/or produced have been screened at the Cannes, Sundance, Toronto and Tribeca Film Festivals. In an interview with Robert K. Elder for The Film That Changed My Life, Gibney credits much influence on his filming style to The Exterminating Angel:

[The Exterminating Angel is] dark, but it's also wickedly funny and mysterious in ways that can’t be reduced to a simple, analytical explanation. I always thought that's what's great about movies sometimes—the best movies have to be experienced; they can’t just be written about.

"Objectivity is dead. There's no such thing as objectivity. When you're making a film, a film can't be objective.

In an interview with David Poland for MIFF, Gibney gives statement to disagree with Ayn Rand's philosophy of Objectivist Movement:

30 for 30: Soccer Stories - References - Netflix